You can undo steps in Animate using the Undo command or the History panel. Closing a document clears its history. Note If you remove steps from the History panel and then perform additional steps, the removed steps will no longer be available. You can choose the Undo command multiple times to move backward as many steps as are listed in the History panel.

Drag the History panel slider up to the step just before your mistake. Steps below that point are dimmed in the History panel and are removed from the project. To add a step back, move the slider back down.

Finish by returning the History panel slider to its original position next to the bottom step in the panel. Animate automatically loops your movie in this preview mode. Close the browser window and return to Animate. Modifying the content and Stage When you first started this lesson, you created a new file with the Stage set at pixels by pixels. However, your client may later tell you that they want the animation in several different sizes to accommodate different layouts. Or they may want to create a version that will run on AIR for Android devices, which require specific dimensions.

Fortunately, you can modify the Stage even after all your content is put in place. When you change the Stage dimensions, Animate provides the option of scaling the content with the Stage, automatically shrinking or enlarging all your content proportionally.

In the Properties section of the Properties panel, note that the dimensions of the current Stage are set at x pixels. Click the Advanced Settings button to open the Document Settings dialog box. In the Width and Height boxes, enter new pixel dimensions.

You can click the link icon between the Width and Height fields to constrain the proportions of the Stage. With the link icon selected, changing one dimension will automatically change the other proportionately. Select the Scale Content option. Leave the Anchor option as is. The Anchor option lets you choose the origin from which your content is resized, if the proportions of the new Stage are different.

Animate modifies the dimensions of the Stage and automatically resizes all the content. If your new dimensions are not proportional to the original size, Animate will resize everything to maximize the content to fit. Save the file. You now have two Animate files, identical in content but with different Stage dimensions.

Animate can help alleviate much of the worry over lost work. The Auto-Recovery feature creates a backup file in case of a crash. Note If you have unsaved changes in your open document, Animate adds an asterisk to the end of its filename at the top of the document window as a friendly reminder. Using Auto-Recovery to create a backup The Auto-Recovery feature is a preference setting that applies to all Animate documents. It saves a backup file, so in case of a crash, you have an alternate file to return to.

The Preferences dialog box appears. Select the General category from the left column. The file remains as long as the document is open. When you close the document or when you quit Animate safely, the file is deleted.

Review questions 1 What is the Stage? Review answers 1 The Stage is the rectangular area viewers see when a movie is playing. Objects that you store on the pasteboard outside of the Stage do not appear in the movie. A keyframe is represented on the timeline with a circle and indicates a change in content on the Stage.

The tool you most recently used is the one shown. Small triangles appear on tool icons to indicate that hidden tools are available.

To select a hidden tool, press and hold the tool icon for the tool that is shown, and then select the hidden tool from the menu. To undo multiple steps at once, drag the slider up in the History panel.

Layer effects are added by selecting a keyframe and choosing a style or a filter from the Color Effect or Filter section of the Properties panel. Draw rectangles, ovals, and other shapes. Modify the shape, color, and size of drawn objects.

Understand fill and stroke settings. Create and edit curves and variable-width strokes. Apply gradients and transparencies. Use Art and Pattern brushes for expressive drawing. Create, edit text, and use web fonts. Distribute objects on the Stage. Create and edit symbols. Understand symbols and instances. Apply filters to symbol instances. This lesson will take about 3 hours to complete. You can use rectangles, ovals, lines, and custom art or pattern brushes to create interesting, complex graphics and save them as symbols, which will be displayed in your Library panel.

Combine gradients, transparencies, text, and filters for even greater expressive possibilities. Getting started Note If you have not already downloaded the project files for this lesson to your computer from your Account page, make sure to do so now. Double-click the 02End. The project is a simple static illustration for a banner ad. After all, you must learn to walk before you can run! And learning to create and modify graphics is an important step before doing any animation with Adobe Animate CC.

In the Animate Start screen, select Web as the intended document presets category. Make the Stage size pixels by pixels, and click Create. A shape consists of two components: the fill, or the insides of the shape, and the stroke, or the outlines of the shape. The fill and the stroke function independently of each other, so you can modify or delete either without affecting the other.

For example, you can create a rectangle with a blue fill and a red stroke, and then later change the fill to purple and delete the red stroke entirely. You can also move the fill or stroke independently, so if you want to move the entire shape, make sure that you select both its fill and its stroke.

Creating shapes Animate includes several drawing tools, which work in different drawing modes. The six digits after the sign represent the red, green, and blue contributions to the color. Using the Rectangle tool The coffee cup is essentially a cylinder, which is a rectangle with an oval at the top and an oval at the bottom. In the Tools panel, select the Rectangle tool. Make sure the Object Drawing mode button at the bottom of the Tools panel is not selected.

Choose a stroke color and a fill color from the bottom of the Tools panel. Choose dark brown for the stroke and CC light brown for the fill.

On the Stage, draw a rectangle that is a little taller than it is wide. Select the Selection tool. Drag the Selection tool around the entire rectangle to select its stroke and its fill. When a shape is selected, Animate displays it with white dots. You can also double-click a shape, and Animate will select both the stroke and fill of the shape. In the Properties panel, Position And Size section, enter for the width and for the height. In the Tools panel, select the Oval tool.

Make sure the Snap To Objects button is selected. This option forces shapes that you draw on the Stage to snap to each other to ensure that lines and corners connect to one another. Drag from one side of the rectangle to the other to make an oval that touches both sides.

Snap To Objects makes the sides of the oval connect to the sides of the rectangle. Note The last fill and stroke you used are applied to the next objects you create, unless you change the settings before you draw. Draw another oval near the bottom of the rectangle.

Animate drawing modes Animate provides three drawing modes that determine how objects interact with one another on the Stage and how you can edit them. If you move or delete a shape that has been merged with another, the overlapping portion is permanently removed. Object Drawing mode In this mode, Animate does not merge drawn objects; they remain distinct and separate, even when they overlap.

To enable Object Drawing mode, select the drawing tool you want to use, and then click the Object Drawing button at the bottom of the Tools panel.

Primitive Drawing mode When you use the Rectangle Primitive tool or the Oval Primitive tool, Animate draws your rectangles or ovals as independent objects that maintain some editable features. Unlike with regular objects, you can modify the corner radius and start and end angle of rectangle primitives, and adjust the inner radius of oval primitives using the Properties panel.

Making selections To modify an object, you must first be able to select different parts of it. Typically, you use the Selection tool to select an entire object or a section of an object. The Subselection tool lets you select a specific point or line in an object. With the Lasso tool, you can make a free-form selection. In the Tools panel, select the Selection tool. Click the fill above the top oval to select it.

The shape above the top oval is highlighted. The fill is cleared from the selected area. Animate deletes the individual strokes, leaving only the top oval connected to the rectangle. The remaining shape appears as a cylinder. The Free Transform tool, the Copy and Paste commands, and the Selection tool can help transform the plain cylinder into a coffee cup.

Using the Free Transform tool The coffee cup will look more realistic if you taper the bottom rim. In the Tools panel, select the Free Transform tool. Drag the Free Transform tool around the cylinder on the Stage to select it. Transformation handles appear on the cylinder. Holding these keys while dragging lets you move both corners the same distance simultaneously.

Click outside the shape to deselect it. The bottom of the cylinder is narrow, and the top is wide. It now looks more like a coffee cup. Tip If you press the Option or Alt key while moving one of the control points, Animate scales the selected object relative to its transformation point, represented by the circle icon.

You can move the transformation point anywhere, even outside the object. Press Shift to constrain the object proportions. Hold down the Shift key and select the top arc and bottom arc of the coffee cup opening. The top strokes of the oval are copied. A duplicate oval appears on the Stage, exactly overlying the original that you copied.

The duplicate remains selected. Transformation handles appear on the oval. Press the Shift key as you drag a corner inward. Make the oval about 10 percent smaller. Pressing the Shift key lets you change the shape uniformly so that the oval maintains its aspect ratio. The top edge of the coffee cup is in place. Select the Free Transform tool. Drag the oval over the rim of the coffee cup so that it overlaps the front lip. You can also press the Down Arrow key to nudge the selected oval down the Stage.

Click outside the selection to deselect the oval. Select the lower portions of the smaller oval and the upper portions of the bottom oval and delete them. Your coffee cup now is now complete! Changing shape contours With the Selection tool, you can push and pull lines and corners to change the overall contours of any shape.

Move your mouse cursor close to one of the sides of the coffee cup. A curved line appears near your cursor, indicating that you can change the curvature of the stroke. Drag the stroke outward. The side of the coffee cup bends, giving the cup a slight bulge. Drag the other side of the coffee cup outward slightly. The coffee cup now has a more rounded body. Changing strokes and fills If you want to change the properties of any stroke or fill, you can use the Ink Bottle tool or the Paint Bucket tool.

The Ink Bottle tool changes stroke colors; the Paint Bucket tool changes fill colors. In the Tools panel, select the Paint Bucket tool. In the Properties panel, choose a darker brown Fill color Click the top surface of the coffee that is inside the cup. The fill of the top oval changes to the darker brown color. Tip If your Paint Bucket tool changes the fill in surrounding areas, there may be a small gap in the shape outline that allows the fill to spill over.

Close the gap manually, or use the Gap Size menu at the bottom of the Tools panel to choose the gap size that Animate will close automatically.

In the Tools panel, select the Ink Bottle tool. In the Properties panel, choose a darker brown stroke color Click the top stroke above the surface of the coffee. Tip You can also select a stroke or a fill and change its color by using the Properties panel without selecting the Paint Bucket or Ink Bottle tool.

The stroke around the surface of the coffee changes to a darker brown color. Using gradient fills The fill is the interior of the drawn object. Currently, you have selected a solid brown fill color, but you can also use a gradient as a fill, or you can specify that the object have no fill at all. In a gradient, one color gradually changes into another. Animate can create linear gradients, which change color horizontally, vertically, or diagonally, or radial gradients, which change color moving outward from a central focal point.

By default, a linear gradient moves from one color to a second color, but you can use up to 15 color transitions in a gradient in Animate. A color pointer determines where each color is defined, and smooth color changes happen between each of the pointers.

Add color pointers beneath the gradient definition bar in the Color panel to add more colors and, hence, more gradients. Select the Selection tool and then select the fill that represents the front surface of the coffee cup. The front surface of the coffee cup is filled with a color gradient that changes from left to right.

In the Color panel, select the color pointer at the left end of the color gradient definition bar the triangle above it turns black when selected , and then type FFCCCC in the Hex value field to specify a light tan color. Select the far-right color pointer, and then enter B for a dark tan color. The gradient fill for the coffee cup changes from light tan to dark tan across its surface.

Click beneath the gradient definition bar to create a new color pointer. Drag the new color pointer to the middle of the gradient. The gradient fill for the coffee cup now changes gradually from light tan through white to dark tan. Deselect the fill on the Stage by clicking elsewhere on the Stage. Select the Paint Bucket tool and make sure the Lock Fill button at the bottom of the Tools panel is deselected.

The Lock Fill option locks the current gradient to the first shape to which it was applied so that subsequent shapes extend the gradient. This allows multiple columns of tools to be shown. With the Paint Bucket tool, select the back surface of the coffee cup. Animate applies the gradient to the back surface. Tip To delete a color pointer from the gradient definition bar, simply drag it off the bar. Using the Gradient Transform tool In addition to choosing colors and positioning the color pointers for a gradient, you can adjust the size, direction, or center of a gradient fill.

Select the Gradient Transform tool. The Gradient Transform tool is grouped with the Free Transform tool. Click the front surface of the coffee cup. Transformation handles appear. Drag the square handle on the right side of the bounding box inward to squeeze the gradient tighter.

Drag the center circle to move the gradient to the left so the white highlight is positioned slightly left of center. You can even rotate the gradient counterclockwise by dragging the round handle in the upper-right corner of the bounding box. Drag slightly to the left so that the gradient tilts along the curve of the cup. Drag the round handle on the corner of the bounding box to rotate the gradient degrees so that the gradient fades from dark tan on the left to white to light tan on the right.

Narrow the gradient and move it to the right slightly so that the highlight falls on the right side of the inner surface. The coffee cup now looks more realistic because the shadows and highlights make it appear that the front surface is convex and the back surface is concave. Tip Move the center circle to change the center of the gradient, drag the round handle to rotate the gradient, or drag the square handle to stretch or compress the gradient.

Select the top surface of the coffee with the Selection tool. Open the Colors panel and choose Radial Gradient. For the left color pointer, choose a light brown color, and for the right color pointer, choose a deep, chocolate brown color.

The top surface of the coffee is filled with a radial gradient that is lighter in the center and darker at the edges.

Drag the center point handle of the gradient near the right edge of the cup. Drag the width handle to the right to flatten the elliptical gradient so that it is about twice as wide as high.

Drag the size handle to the left to shrink the ellipse so that the gradient just covers the surface of the coffee. The top surface of the coffee is complete! With subtle variations to linear and radial gradients, you can achieve nice effects that give dimensionality and form to your objects. Rename the layer containing your completed drawing coffee cup. Tip You can also use the Gradient Transform tool to change the width, orientation, size, or rotation of a bitmap fill.

A group holds together a collection of shapes and other graphics to preserve their integrity. When the elements that compose the coffee cup are grouped, you can move them as a unit without worrying that the cup might merge with underlying shapes. Use groups to organize your drawing. Select all the shapes that make up the cup of coffee.

The cup of coffee is now a single group. When you select it, a blue-green outline indicates its bounding box. If you want to change any part of the cup of coffee, double-click the group to edit it.

Notice that all the other elements on the Stage dim, and the Edit bar above the Stage displays Scene 1 Group. This indicates that you are now in a particular group and can edit its contents. Click the Scene 1 icon in the Edit bar at the top of the Stage, or double-click an empty part of the Stage, and return to the main scene.

Using variable-width strokes You can make many different styles of lines for your strokes. In addition to a solid line, you can choose dotted, dashed, or ragged, or even customize your own. In addition, you can create lines with variable widths and edit the variations with the Width tool.

Transparency is measured as a percentage and is referred to as alpha. In the Tools panel, select the Pencil tool. Choose Smooth from the Pencil Mode menu at the bottom of the Tools panel.

In the Properties panel, select a dark brown stroke color. In the Fill And Stroke section of the Properties panel, enter 15 for the stroke size. From the Style menu, choose Solid, and from the Width menu, choose the thick and thin profile, Width Profile 2.

Tip Edit variable-width lines as you would any other stroke. Use the Selection or Subselection tool to bend the curves or move the anchor points. Draw a few wavy lines above the coffee.

Animate renders each line with a thick-and-thin width. Although it appears as a complicated shape, the entire object is a single selectable stroke. Editing the width of lines You can finesse where the bulges appear in your lines, and how much of a bulge there is. Use the Width tool to make those edits. In the Tools panel, select the Width tool. Move your mouse pointer over one of your variable-width strokes.

Anchor points appear along the line to show you where the thick and thin portions of the line are located. Drag the handles at any anchor point to change the width of the line. Exaggerate some of the restrictions and bulges. Drag an anchor point along the stroke to move its location. Drag anywhere along the stroke to add a new anchor point and define the width at that location. Animate displays a small plus sign next to your pointer to indicate that you can add an anchor point.

Using swatches and tagged swatches Swatches are predefined samples of color. Tagged swatches are specially marked swatches that are linked to the graphics on your Stage that are using them. If you change a tagged swatch in your Swatch panel, all your graphics that use the tagged swatch will be updated. Select the Selection tool and click one of the variable-width strokes above your coffee mug.

The Swatches panel opens, showing the default colors with gradients in the bottom row. A new swatch appears with the exact color of the coffee wisp that you selected. The Tagged Color Definition dialog box appears. Enter coffee steam in the Name field and click OK. The dialog box closes and a new tagged swatch appears in the Tagged Swatches section of the Swatches panel.

Select the Selection tool and, holding down the Shift key, click every coffee wisp above the mug. Open the Swatches panel. Select the coffee steam tagged swatch. The selected graphics use the tagged swatch as their color.

In the Properties panel, a tagged swatch is indicated by the white triangle in the lower-right corner of the color. Updating tagged swatches The real power of tagged swatches is apparent when you have to make updates to your project. Since each wisp uses a tagged swatch, you can simply update the color of the tagged swatch and all graphics using that tagged swatch will update. In the Tagged Swatches section of the Swatches panel, double-click the coffee steam tagged swatch.

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Herbert School of Communication at Hofstra University. He has more than 20 years of experience in visual communication as a multimedia designer for the sciences and as a consultant to the news industry. He is the published author of over a dozen technical books, interactive, and video products on multimedia software from Adobe, including their official training manuals.

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